Arcadia Public Library

Rimas Tuminas' reimagining of Anton Chekhov's tale about broken illusions and dashed hopes is freed from its traditional trappings, leaving behind a battlefield for passions and colliding ambitions.

The OBIE-winning collision of Gertrude Stein's *Doctor Faustus Lights the Lights* with Joseph Mawra's B-movie classic, *Olga's House of Shame*.

Mark does not want to play the turkey in the second grade Thanksgiving play, but then he ends up saving the day.

Yury Butusov's brilliant, award-winning staging of KING LEAR tells us a story in which the collapse of a family, the collapse of a country, and the collapse of an individual are all connected to each other. In Shakespeare's classic work, Lear imagined himself to be God's equal - and so he divided his kingdom between his daughters just to see what would happen. Featuring four time Golden Mask Award-winning actor Konstantin Raikin as Lear.

Rimas Tuminas' adaptation of two novels by Grigory Kanovich, is a dreamy, ruminative, comedic road trip, centering around the parlous fortunes of Eastern European Jews at the start of the 20th century. A period piece that carries a modern conscious, Smile Upon Us, is a Becket-like "Waiting for Jehovah" featuring three towering figures from the Russian stage, Viktor Sukhorukov, Aleksei Guskov and Vladimir Simonov.

Murderers, Fugitives, Thieves...Shakespeare would have loved these guys. Shakespeare Behind Bars is an unexpectedly delightful documentary that follows the casting, rehearsal, and presentation of Shakespeare's play, The Tempest, by convicted felons inside Kentucky's Luther Luckett Correctional Complex. Winner of eight film festival awards, Shakespeare Behind Bars smashes many of our long held notions about prisoners and criminals as we watch these...

Publisher's description: The Oxford Encyclopedia of theatre and performance is an unparalleled resource, providing comprehensive, authoritative, and up-to-date information about theatre and performance from ancient Greek theatre to the latest developments in London, Paris, New York, and around the globe. Written in accessible language, it will appeal broadly to readers interested in theatre and performance, from occasional playgoers to newspaper critics,...

Deborah Warner’s staging of RICHARD II with Fiona Shaw as the king stirred up a significant critical controversy when it was presented in 1995 at the National Theatre, and then later in Salzburg and Paris. Among those who recognised its originality and strengths was the critic Paul Taylor who praised the ‘gripping, lucidly felt production’ and Fiona Shaw’s ‘dazzlingly disconcerting… deliberately uncomfortable, compelling performance.’...

An in-depth investigation into the working process of Konstantin Stanislavski, who managed to maintain his inner freedom and true artistry within the harsh boundaries of the Soviet system, all thanks to the power of his prodigious talent. The best and brightest of Russian and British theatre, from Kirill Serebrennikov to Yury Butusov to Marina Brusnikina, Declan Donnellan, Katie Mitchell and Lev Dodin express their inexhaustible admiration for Stanislavski...

"The WellieWishers are putting on a show, and Emerson is in charge. The girls love her songs and silly skits, but not all of Emerson's creative ideas are working. Ashlyn can't see out of her pumpkin costume, Willa has a touch of stage fright, and Kendall is struggling with the special effects. When the girls try to tell her their problems, Emerson doesn't listen. Will the show go on?"--