Storm Over Asia
(eVideo)

Book Cover
Average Rating
Contributors
Published
[San Francisco, California, USA] : Kanopy Streaming, 2016.
Physical Desc
1 online resource (1 video file, approximately 126 minutes) : digital, .flv file, sound
Status

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Format
eVideo
Language
English

Notes

General Note
In Process Record.
General Note
Title from title frames.
Date/Time and Place of Event
Originally produced by Flicker Alley in 1928.
Description
The last of the three great films that V.I. Pudovkin directed in the 1920s, Storm over Asia (1928) is an acknowledged classic of Soviet silent cinema. Filmed largely on location in Mongolia, the film has an authentic documentary feel, though the story is a stirring melodrama. It concerns a young fur trapper (Valeri Inkizhinov) who, after being captured and sentenced to death by British occupying forces, is mistaken as a descendant of the great warrior Genghis Khan. He then becomes a puppet ruler for the British in their war against the Soviet partisans. Once he attains his status, however, he must decide where his loyalties lay. Pudovkin enjoys caricaturing the foreign (British) troops and the medieval rituals of a Buddhist temple, but it's out on the Siberian steppes that he really comes into his own, with panoramic shots of the vast landscapes. Together with Mother (1926) and The End of St. Petersburg (1927), Storm over Asia (also known as The Heir to Genghis Khan) entitles Pudovkin to be ranked with Sergei Eisenstein and Dziga Vertov as a master of the Soviet montage style, which he expounded in his book Film Technique (1929). This edition has been transferred from 35mm preservation elements, and represents a more complete version of the film than has been previously released. A stirring score by Timothy Brock, as performed by the Olympia Chamber Orchestra, accompanies the film.
System Details
Mode of access: World Wide Web.

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Citations

APA Citation, 7th Edition (style guide)

Pudovkin, V. (2016). Storm Over Asia . Kanopy Streaming.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Pudovkin, VI. 2016. Storm Over Asia. Kanopy Streaming.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Pudovkin, VI. Storm Over Asia Kanopy Streaming, 2016.

MLA Citation, 9th Edition (style guide)

Pudovkin, VI. Storm Over Asia Kanopy Streaming, 2016.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

Staff View

Grouped Work ID
bafcc11f-90cb-c4b6-56d4-8dbc577b69f0-eng
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Grouping Information

Grouped Work IDbafcc11f-90cb-c4b6-56d4-8dbc577b69f0-eng
Full titlestorm over asia
Authorkanopy
Grouping Categorymovie
Last Update2023-09-27 09:56:57AM
Last Indexed2024-04-17 02:34:24AM

Book Cover Information

Image Sourcesideload
First LoadedAug 16, 2023
Last UsedAug 16, 2023

Marc Record

First DetectedMar 24, 2016 12:00:00 AM
Last File Modification TimeSep 27, 2023 09:57:59 AM

MARC Record

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520 |a The last of the three great films that V.I. Pudovkin directed in the 1920s, Storm over Asia (1928) is an acknowledged classic of Soviet silent cinema. Filmed largely on location in Mongolia, the film has an authentic documentary feel, though the story is a stirring melodrama. It concerns a young fur trapper (Valeri Inkizhinov) who, after being captured and sentenced to death by British occupying forces, is mistaken as a descendant of the great warrior Genghis Khan. He then becomes a puppet ruler for the British in their war against the Soviet partisans. Once he attains his status, however, he must decide where his loyalties lay. Pudovkin enjoys caricaturing the foreign (British) troops and the medieval rituals of a Buddhist temple, but it's out on the Siberian steppes that he really comes into his own, with panoramic shots of the vast landscapes. Together with Mother (1926) and The End of St. Petersburg (1927), Storm over Asia (also known as The Heir to Genghis Khan) entitles Pudovkin to be ranked with Sergei Eisenstein and Dziga Vertov as a master of the Soviet montage style, which he expounded in his book Film Technique (1929). This edition has been transferred from 35mm preservation elements, and represents a more complete version of the film than has been previously released. A stirring score by Timothy Brock, as performed by the Olympia Chamber Orchestra, accompanies the film.
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