Optical Sound Films Part 2
(eVideo)
Contributors
Published
[San Francisco, California, USA] : Kanopy Streaming, 2016.
Physical Desc
1 online resource (7 video files, approximately 39 minutes) : digital, .flv file, sound
Status
Description
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More Details
Format
eVideo
Language
English
Notes
General Note
In Process Record.
General Note
Title from title frames.
Date/Time and Place of Event
Originally produced by Canyon Cinema Foundation in 1971.
Description
Optical Sound Films collects the ongoing work and research of Guy Sherwin, one of the pre-eminent British film artists of the last 40 years in a unique artist's films. Guy Sherwin studied painting at Chelsea School of Art in the 1960s before becoming closely associated with the British avant garde film movement centred on The London Film-makers Co-operative in the 1970s. His film works, often including serial forms and live performance, are characterized by an enduring concern with time and light as the fundamentals of cinema. Optical Sound Films explores in detail one of his particular and recurrent concerns, the synaesthesic relationship between sound and image manifest in the material of film sound. These investigations take Sherwin from physical manipulation of the very material of film through to live performances utilising multiple film projectors, all of which are explicated through drawings, diagrams, video documentation as well the films themselves. This publication provides a unique insight into conceptual and practical concerns for artists' working with film as well as a detailed exploration of the processes and technology involved in its production and exhibition.
System Details
Mode of access: World Wide Web.
Citations
APA Citation, 7th Edition (style guide)
Sherwin, G. (2016). Optical Sound Films Part 2 . Kanopy Streaming.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Sherwin, Guy. 2016. Optical Sound Films Part 2. Kanopy Streaming.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Sherwin, Guy. Optical Sound Films Part 2 Kanopy Streaming, 2016.
MLA Citation, 9th Edition (style guide)Sherwin, Guy. Optical Sound Films Part 2 Kanopy Streaming, 2016.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
0f670d9f-ae49-eb16-f838-f6cc92e9413f-eng
Grouping Information
Grouped Work ID | 0f670d9f-ae49-eb16-f838-f6cc92e9413f-eng |
---|---|
Full title | optical sound films part 2 |
Author | kanopy |
Grouping Category | movie |
Last Update | 2023-09-27 09:56:57AM |
Last Indexed | 2024-03-27 02:02:49AM |
Book Cover Information
Image Source | sideload |
---|---|
First Loaded | Feb 10, 2024 |
Last Used | Feb 26, 2024 |
Marc Record
First Detected | Mar 24, 2016 12:00:00 AM |
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Last File Modification Time | Sep 27, 2023 09:58:03 AM |
MARC Record
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264 | 1 | |a [San Francisco, California, USA] :|b Kanopy Streaming,|c 2016. | |
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500 | |a In Process Record. | ||
500 | |a Title from title frames. | ||
518 | |a Originally produced by Canyon Cinema Foundation in 1971. | ||
520 | |a Optical Sound Films collects the ongoing work and research of Guy Sherwin, one of the pre-eminent British film artists of the last 40 years in a unique artist's films. Guy Sherwin studied painting at Chelsea School of Art in the 1960s before becoming closely associated with the British avant garde film movement centred on The London Film-makers Co-operative in the 1970s. His film works, often including serial forms and live performance, are characterized by an enduring concern with time and light as the fundamentals of cinema. Optical Sound Films explores in detail one of his particular and recurrent concerns, the synaesthesic relationship between sound and image manifest in the material of film sound. These investigations take Sherwin from physical manipulation of the very material of film through to live performances utilising multiple film projectors, all of which are explicated through drawings, diagrams, video documentation as well the films themselves. This publication provides a unique insight into conceptual and practical concerns for artists' working with film as well as a detailed exploration of the processes and technology involved in its production and exhibition. | ||
538 | |a Mode of access: World Wide Web. | ||
653 | |a Experimental/Alternative Media | ||
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