Alex Katz: Five Hours
(eVideo)
Contributors
Published
[San Francisco, California, USA] : Kanopy Streaming, 2015.
Physical Desc
1 online resource (streaming video file)
Status
Description
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Format
eVideo
Language
und
Notes
General Note
Title from title frames.
General Note
In Process Record.
Date/Time and Place of Event
Originally produced by Checkerboard Film Foundation in 1996.
Description
When Alex Katz paints one of his large, signature paintings, it is an act of the utmost concentration, a performance in which he draws on years of experience as well as preliminary sketches, painted studies, finished drawings, and a large charcoal cartoon, as he transfers the bare bones of the image to his canvas. It is only then is he set to paint "” he usually finishes his paintings within the span of a day. In this case, he paints the six-by-fourteen foot January III in five hours, as his son, Vincent Katz, and daughter-in-law, Vivien Bittencourt, film him. This painting furnishes an ideal example of Katz's technique, as we witness, in separate panels of a triptych framework, spontaneous passages of tree branches and the controlled modeling of a large face of his wife, Ada, the subject of many of Katz's paintings. We also observe the artist's famous portrait style, as well as the landscape style for which Katz has been acclaimed. The filmmakers decided against the use of dialogue; the painter is accompanied only by the music of composer and theater artist Meredith Monk. This film captures the essence of Katz, that quality Robert Storr of the Museum of Modern Art defines as the unquantifiable "cool", in a dazzling and moving display of commitment to the experience of painting.
System Details
Mode of access: World Wide Web.
Citations
APA Citation, 7th Edition (style guide)
Bittencourt, V., & Katz, V. (2015). Alex Katz: Five Hours . Kanopy Streaming.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Bittencourt, Vivien and Vincent, Katz. 2015. Alex Katz: Five Hours. Kanopy Streaming.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Bittencourt, Vivien and Vincent, Katz. Alex Katz: Five Hours Kanopy Streaming, 2015.
MLA Citation, 9th Edition (style guide)Bittencourt, Vivien,, and Vincent Katz. Alex Katz: Five Hours Kanopy Streaming, 2015.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
a9016093-66fe-5fa9-0c5c-96128bb6aa77-und
Grouping Information
Grouped Work ID | a9016093-66fe-5fa9-0c5c-96128bb6aa77-und |
---|---|
Full title | alex katz five hours |
Author | kanopy |
Grouping Category | movie |
Last Update | 2023-09-27 09:56:57AM |
Last Indexed | 2024-04-17 02:31:29AM |
Book Cover Information
Image Source | sideload |
---|---|
First Loaded | Feb 8, 2022 |
Last Used | Mar 7, 2024 |
Marc Record
First Detected | Sep 08, 2015 12:00:00 AM |
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Last File Modification Time | Sep 27, 2023 09:57:54 AM |
MARC Record
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300 | |a 1 online resource (streaming video file) | ||
306 | |a Duration: 31 minutes | ||
336 | |a two-dimensional moving image|b tdi|2 rdacontent | ||
337 | |a computer|2 rdamedia | ||
338 | |a online resource|b cr|2 rdacarrier | ||
500 | |a Title from title frames. | ||
500 | |a In Process Record. | ||
518 | |a Originally produced by Checkerboard Film Foundation in 1996. | ||
520 | |a When Alex Katz paints one of his large, signature paintings, it is an act of the utmost concentration, a performance in which he draws on years of experience as well as preliminary sketches, painted studies, finished drawings, and a large charcoal cartoon, as he transfers the bare bones of the image to his canvas. It is only then is he set to paint "” he usually finishes his paintings within the span of a day. In this case, he paints the six-by-fourteen foot January III in five hours, as his son, Vincent Katz, and daughter-in-law, Vivien Bittencourt, film him. This painting furnishes an ideal example of Katz's technique, as we witness, in separate panels of a triptych framework, spontaneous passages of tree branches and the controlled modeling of a large face of his wife, Ada, the subject of many of Katz's paintings. We also observe the artist's famous portrait style, as well as the landscape style for which Katz has been acclaimed. The filmmakers decided against the use of dialogue; the painter is accompanied only by the music of composer and theater artist Meredith Monk. This film captures the essence of Katz, that quality Robert Storr of the Museum of Modern Art defines as the unquantifiable "cool", in a dazzling and moving display of commitment to the experience of painting. | ||
538 | |a Mode of access: World Wide Web. | ||
653 | |a Visual Art | ||
700 | 1 | |a Bittencourt, Vivien,|e filmmaker | |
700 | 1 | |a Katz, Vincent,|e filmmaker | |
710 | 2 | |a Kanopy (Firm) | |
856 | 4 | 0 | |u https://arcadiaca.kanopy.com/node/152098|z A Kanopy streaming video |
856 | 4 | 2 | |z Cover Image|u https://www.kanopy.com/node/152098/external-image |