The Girl with a Hatbox
(eVideo)

Book Cover
Average Rating
Contributors
Published
[San Francisco, California, USA] : Kanopy Streaming, 2015.
Physical Desc
1 online resource (streaming video file)
Status

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Format
eVideo
Language
und

Notes

General Note
Title from title frames.
General Note
In Process Record.
Participants/Performers
Features: Ludmila Berlinskaya, Sergei Obrazov, Igor Sakharov
Date/Time and Place of Event
Originally produced by Ruscico - Russian Cinema Council in 1927.
Description
The Girl with a Hatbox is a Soviet silent film of Boris Barnet starring Anna Sten, Vladimir Mikhailov and Vladimir Fogel. Natasha and her grandfather live in a cottage near Moscow, making hats for Madame Irene. Madame and her husband have told the housing committee that Natasha rents a room from them; this fiddle gives Madame's lazy husband a room for lounging. The local railroad clerk, Fogelev, loves Natasha but she takes a shine to Ilya, a clumsy student who sleeps in the train station. To help Ilya, Natasha marries him and takes him to Madame's to live in the room the house committee thinks is hers. Meanwhile, Madame's husband pays Natasha with a lottery ticket he thinks is a loser, and when it comes up big, just as Ilya and Natasha are falling in love, everything gets complicated. "Its whole atmosphere and every detail are imbued with the lightness of breathing, the youthful spontaneity that gives the film, among other things, an additional margin of durability and longevity. Not a satire, strong by virtue of its social and political topicality. Not an old good "comical" film - a cascade of time-tested tricks"¦ Not just a comedy of manners - an everyday-life comedy"¦ The first lyrical comedy". Mark Kushnirov
System Details
Mode of access: World Wide Web.

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Citations

APA Citation, 7th Edition (style guide)

Selivanov, V. (2015). The Girl with a Hatbox . Kanopy Streaming.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Selivanov, Valentin. 2015. The Girl With a Hatbox. Kanopy Streaming.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Selivanov, Valentin. The Girl With a Hatbox Kanopy Streaming, 2015.

MLA Citation, 9th Edition (style guide)

Selivanov, Valentin. The Girl With a Hatbox Kanopy Streaming, 2015.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID
d5844531-bcb6-f1c1-7f6f-db03ad495ecb-und
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Grouping Information

Grouped Work IDd5844531-bcb6-f1c1-7f6f-db03ad495ecb-und
Full titlegirl with a hatbox
Authorkanopy
Grouping Categorymovie
Last Update2023-09-27 09:56:57AM
Last Indexed2024-03-27 02:30:22AM

Book Cover Information

Image Sourcesideload
First LoadedDec 31, 2023
Last UsedFeb 5, 2024

Marc Record

First DetectedSep 08, 2015 12:00:00 AM
Last File Modification TimeSep 27, 2023 09:57:56 AM

MARC Record

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500 |a Title from title frames.
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5110 |a Features: Ludmila Berlinskaya, Sergei Obrazov, Igor Sakharov
518 |a Originally produced by Ruscico - Russian Cinema Council in 1927.
520 |a The Girl with a Hatbox is a Soviet silent film of Boris Barnet starring Anna Sten, Vladimir Mikhailov and Vladimir Fogel. Natasha and her grandfather live in a cottage near Moscow, making hats for Madame Irene. Madame and her husband have told the housing committee that Natasha rents a room from them; this fiddle gives Madame's lazy husband a room for lounging. The local railroad clerk, Fogelev, loves Natasha but she takes a shine to Ilya, a clumsy student who sleeps in the train station. To help Ilya, Natasha marries him and takes him to Madame's to live in the room the house committee thinks is hers. Meanwhile, Madame's husband pays Natasha with a lottery ticket he thinks is a loser, and when it comes up big, just as Ilya and Natasha are falling in love, everything gets complicated. "Its whole atmosphere and every detail are imbued with the lightness of breathing, the youthful spontaneity that gives the film, among other things, an additional margin of durability and longevity. Not a satire, strong by virtue of its social and political topicality. Not an old good "comical" film - a cascade of time-tested tricks"¦ Not just a comedy of manners - an everyday-life comedy"¦ The first lyrical comedy". Mark Kushnirov
538 |a Mode of access: World Wide Web.
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