The eye. Mark Wallinger.
(eVideo)
Contributors
Published
[San Francisco, California, USA] : Kanopy Streaming, 2014.
Physical Desc
1 online resource (1 video file, approximately 27 min.) : digital, .flv file, sound
Status
Description
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More Details
Format
eVideo
Language
English
Notes
General Note
Title from title frames.
Date/Time and Place of Event
Originally produced by Illuminations Media in 2005.
Description
For his show as Britain's representative at the 2001 Venice Biennale, Mark Wallinger brought together a typically eclectic group of sculptures, videos and installations. Like Ecce Homo, his much-loved life-size statue of Christ created for Trafalgar Square, the exhibition provoked and challenged and moved many of those who experienced it. Mark Wallinger's art is often witty and immediately accessible yet at the same time it engages with some of the traditional grand themes, including religion, spirituality and death. His recent works include the ambitious environment Prometheus, centred around a wall-mounted electric chair, and Threshold to the Kingdom which counterpoints the arrival of passengers at an international airport (and perhaps also in Heaven) with Allegri's beautiful music for the Miserere. In this film profile Wallinger considers the meanings and motivations of his art. He also reflects on his earlier explorations of class and identity, most especially in the series of paintings, photographs and videos about the world of racing which culminated in him owning and running the horse A Real Work of Art.
System Details
Mode of access: World Wide Web.
Citations
APA Citation, 7th Edition (style guide)
(2014). The eye . Kanopy Streaming.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)2014. The Eye. Kanopy Streaming.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)The Eye Kanopy Streaming, 2014.
MLA Citation, 9th Edition (style guide)The Eye Kanopy Streaming, 2014.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
2cdf827d-852d-5a92-fa77-dadae86bd770-eng
Grouping Information
| Grouped Work ID | 2cdf827d-852d-5a92-fa77-dadae86bd770-eng |
|---|---|
| Full title | eye mark wallinger |
| Author | kanopy |
| Grouping Category | movie |
| Last Update | 2022-07-12 21:18:21PM |
| Last Indexed | 2024-04-13 02:19:18AM |
Book Cover Information
| Image Source | sideload |
|---|---|
| First Loaded | Feb 10, 2024 |
| Last Used | Feb 26, 2024 |
Marc Record
| First Detected | Aug 02, 2013 12:00:00 AM |
|---|---|
| Last File Modification Time | Jul 26, 2021 06:41:49 AM |
MARC Record
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| 500 | |a Title from title frames. | ||
| 518 | |a Originally produced by Illuminations Media in 2005. | ||
| 520 | |a For his show as Britain's representative at the 2001 Venice Biennale, Mark Wallinger brought together a typically eclectic group of sculptures, videos and installations. Like Ecce Homo, his much-loved life-size statue of Christ created for Trafalgar Square, the exhibition provoked and challenged and moved many of those who experienced it. Mark Wallinger's art is often witty and immediately accessible yet at the same time it engages with some of the traditional grand themes, including religion, spirituality and death. His recent works include the ambitious environment Prometheus, centred around a wall-mounted electric chair, and Threshold to the Kingdom which counterpoints the arrival of passengers at an international airport (and perhaps also in Heaven) with Allegri's beautiful music for the Miserere. In this film profile Wallinger considers the meanings and motivations of his art. He also reflects on his earlier explorations of class and identity, most especially in the series of paintings, photographs and videos about the world of racing which culminated in him owning and running the horse A Real Work of Art. | ||
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