The eye. Lisa Milroy.
(eVideo)

Book Cover
Average Rating
Contributors
Published
[San Francisco, California, USA] : Kanopy Streaming, 2014.
Physical Desc
1 online resource (1 video file, approximately 27 min.) : digital, .flv file, sound
Status

Description

Loading Description...

Also in this Series

Checking series information...

More Details

Format
eVideo
Language
English

Notes

General Note
Title from title frames.
Date/Time and Place of Event
Originally produced by Illuminations Media in 2006.
Description
Lisa Milroy’s paintings are pleasurable and provocative, clear but complex, immediate and yet richly subtle. In 2001 many of her major works were brought together for an important exhibition at Tate Liverpool; this film, the first about her work, was made alongside that show. Her earliest works are depictions of everyday objects: shoes in serried ranks, collections of lightbulbs and household hardware. Later canvases explore the process of depicting images of people, blank facades of buildings, clichés of photographic landscapes. More recent work is looser and less apparently realist. Speaking about the development of her art from the early 1980s onwards, Lisa Milroy discusses how she uses the sensual and descriptive power of paint to express her unique ways of looking at the world. She reflects on the changes in her work; on the impact of Japan and its culture; on photography and time; and on the craft and process of painting.
System Details
Mode of access: World Wide Web.

More Like This

Loading more titles like this title...

Citations

APA Citation, 7th Edition (style guide)

(2014). The eye . Kanopy Streaming.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

2014. The Eye. Kanopy Streaming.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

The Eye Kanopy Streaming, 2014.

MLA Citation, 9th Edition (style guide)

The Eye Kanopy Streaming, 2014.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

Staff View

Grouped Work ID
a5ca768b-4f42-8163-3e6c-c455742bda1c-eng
Go To Grouped Work

Grouping Information

Grouped Work IDa5ca768b-4f42-8163-3e6c-c455742bda1c-eng
Full titleeye lisa milroy
Authorkanopy
Grouping Categorymovie
Last Update2022-07-12 21:18:21PM
Last Indexed2024-04-20 02:41:41AM

Book Cover Information

Image Sourcesideload
First LoadedFeb 10, 2024
Last UsedMar 4, 2024

Marc Record

First DetectedAug 02, 2013 12:00:00 AM
Last File Modification TimeJul 26, 2021 06:41:49 AM

MARC Record

LEADER02225ngm a2200373 i 4500
001kan1046545
003CaSfKAN
00520130802105144.0
006m     o  c        
007vz uzazuu
007cr una---unuuu
008140905p20142006cau026        o   vleng d
02852|a 1046545|b Kanopy
035 |a (OCoLC)900275973
040 |a CaSfKAN|b eng|c CaSfKAN|e rda
043 |a e-uk-en|a e-uk---
24504|a The eye.|p Lisa Milroy.
264 1|a [San Francisco, California, USA] :|b Kanopy Streaming,|c 2014.
300 |a 1 online resource (1 video file, approximately 27 min.) :|b digital, .flv file, sound
336 |a two-dimensional moving image|2 rdacontent
337 |a computer|2 rdamedia
337 |a video|2 rdamedia
338 |a online resource|2 rdacarrier
500 |a Title from title frames.
518 |a Originally produced by Illuminations Media in 2006.
520 |a Lisa Milroy’s paintings are pleasurable and provocative, clear but complex, immediate and yet richly subtle. In 2001 many of her major works were brought together for an important exhibition at Tate Liverpool; this film, the first about her work, was made alongside that show. Her earliest works are depictions of everyday objects: shoes in serried ranks, collections of lightbulbs and household hardware. Later canvases explore the process of depicting images of people, blank facades of buildings, clichés of photographic landscapes. More recent work is looser and less apparently realist. Speaking about the development of her art from the early 1980s onwards, Lisa Milroy discusses how she uses the sensual and descriptive power of paint to express her unique ways of looking at the world. She reflects on the changes in her work; on the impact of Japan and its culture; on photography and time; and on the craft and process of painting.
538 |a Mode of access: World Wide Web.
60010|a Milroy, Lisa,|d 1959-
650 0|a Artists|z Great Britain.
650 0|a Painters|z Great Britain.
655 7|a Documentary films.|2 lcgft
7102 |a Kanopy (Firm)
85640|u https://arcadiaca.kanopy.com/node/46546|z A Kanopy streaming video
85642|z Cover Image|u https://www.kanopy.com/node/46546/external-image