The eye. Grayson Perry.
(eVideo)
Contributors
Published
[San Francisco, California, USA] : Kanopy Streaming, 2014.
Physical Desc
1 online resource (1 video file, approximately 26 min.) : digital, .flv file, sound
Status
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More Details
Format
eVideo
Language
English
Notes
General Note
Title from title frames.
Date/Time and Place of Event
Originally produced by Illuminations Media in 2007.
Description
Since winning the Turner Prize in 2003, Grayson Perry has become the nation's favourite transvestite potter. In this film, he speaks engagingly about why he is an artist that uses ceramics and not a potter, and about the defining themes that run through his work. He explains the elaborate, labour intensive process involved in the making of his work and how he typically uses a variety of different techniques. Alongside the edgy undermining of our expectations of what pottery is, beauty and sensual overload are also of great importance to his practice. ‘Claire’, he remarks, informs everything that he does, because she is part of him and “my work is often about part of me. The press use the word ‘alter ego’ which drives me mad. She's not an alter ego. She's just me in a dress.” His 2006 exhibition, The Charms of Lincolnshire, is illustrated in this profile, and he discusses how he created his own works alongside Victorian artefacts from the archives of Lincolnshire museums to create an atmosphere both macabre and exotic. Perry speaks about new work that he has made for his 2007 show in Japan and how he has branched out from just making pots, though they will always remain an essential element of his artistic output. This video contains some explicit images and adult text.
System Details
Mode of access: World Wide Web.
Citations
APA Citation, 7th Edition (style guide)
(2014). The eye . Kanopy Streaming.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)2014. The Eye. Kanopy Streaming.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)The Eye Kanopy Streaming, 2014.
MLA Citation, 9th Edition (style guide)The Eye Kanopy Streaming, 2014.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
e70f8de0-a5e4-dfa6-bcae-77853b701f4c-eng
Grouping Information
Grouped Work ID | e70f8de0-a5e4-dfa6-bcae-77853b701f4c-eng |
---|---|
Full title | eye grayson perry |
Author | kanopy |
Grouping Category | movie |
Last Update | 2022-07-12 21:18:21PM |
Last Indexed | 2024-04-17 02:41:39AM |
Book Cover Information
Image Source | sideload |
---|---|
First Loaded | Mar 8, 2021 |
Last Used | Feb 27, 2024 |
Marc Record
First Detected | Aug 02, 2013 12:00:00 AM |
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Last File Modification Time | Jul 26, 2021 06:41:49 AM |
MARC Record
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520 | |a Since winning the Turner Prize in 2003, Grayson Perry has become the nation's favourite transvestite potter. In this film, he speaks engagingly about why he is an artist that uses ceramics and not a potter, and about the defining themes that run through his work. He explains the elaborate, labour intensive process involved in the making of his work and how he typically uses a variety of different techniques. Alongside the edgy undermining of our expectations of what pottery is, beauty and sensual overload are also of great importance to his practice. ‘Claire’, he remarks, informs everything that he does, because she is part of him and “my work is often about part of me. The press use the word ‘alter ego’ which drives me mad. She's not an alter ego. She's just me in a dress.” His 2006 exhibition, The Charms of Lincolnshire, is illustrated in this profile, and he discusses how he created his own works alongside Victorian artefacts from the archives of Lincolnshire museums to create an atmosphere both macabre and exotic. Perry speaks about new work that he has made for his 2007 show in Japan and how he has branched out from just making pots, though they will always remain an essential element of his artistic output. This video contains some explicit images and adult text. | ||
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