The eye. Gillian Ayres.
(eVideo)
Contributors
Published
[San Francisco, California, USA] : Kanopy Streaming, 2014.
Physical Desc
1 online resource (1 video file, approximately 27 min.) : digital, .flv file, sound
Status
Description
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More Details
Format
eVideo
Language
English
Notes
General Note
Title from title frames.
Date/Time and Place of Event
Originally produced by Illuminations Media in 2008.
Description
Gillian Ayres studied at Camberwell School of Art from 1946-50, before running the AIA Gallery with painter Henry Mundy whom she married. As a young artist in the 1950's, Ayres was closely involved with leading British abstract artists including Roger Hilton. Ayres was quick to respond to European tachism and American abstract expressionism, creating a body of work that placed her in the forefront of her generation. In the sixties she was the only woman artist to be represented in the important 'Situation' exhibitions, showing large paintings combining oil and paint that aimed for the sublime using very radial drip and pour techniques of action painting. Gillian Ayres defined her career by ranges of style and manner. In the sixties she created glamorous and decorative images in keeping with the hedonistic mood of that time. In the seventies Hans Hofmann inspired Ayres and returned back to an extreme and painterly extraction. Later in that decade Ayres moved back to oil painting and went on to develop her exclusive colourful style and has made an impressive mark on British art.
System Details
Mode of access: World Wide Web.
Citations
APA Citation, 7th Edition (style guide)
(2014). The eye . Kanopy Streaming.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)2014. The Eye. Kanopy Streaming.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)The Eye Kanopy Streaming, 2014.
MLA Citation, 9th Edition (style guide)The Eye Kanopy Streaming, 2014.
Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.
Staff View
Grouped Work ID
d9f7c8f5-50f8-9e3d-5288-ec72e846f56a-eng
Grouping Information
| Grouped Work ID | d9f7c8f5-50f8-9e3d-5288-ec72e846f56a-eng |
|---|---|
| Full title | eye gillian ayres |
| Author | kanopy |
| Grouping Category | movie |
| Last Update | 2022-07-12 21:18:21PM |
| Last Indexed | 2024-04-20 02:50:55AM |
Book Cover Information
| Image Source | sideload |
|---|---|
| First Loaded | Feb 6, 2024 |
| Last Used | Feb 22, 2024 |
Marc Record
| First Detected | Aug 02, 2013 12:00:00 AM |
|---|---|
| Last File Modification Time | Jul 26, 2021 06:41:49 AM |
MARC Record
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| 500 | |a Title from title frames. | ||
| 518 | |a Originally produced by Illuminations Media in 2008. | ||
| 520 | |a Gillian Ayres studied at Camberwell School of Art from 1946-50, before running the AIA Gallery with painter Henry Mundy whom she married. As a young artist in the 1950's, Ayres was closely involved with leading British abstract artists including Roger Hilton. Ayres was quick to respond to European tachism and American abstract expressionism, creating a body of work that placed her in the forefront of her generation. In the sixties she was the only woman artist to be represented in the important 'Situation' exhibitions, showing large paintings combining oil and paint that aimed for the sublime using very radial drip and pour techniques of action painting. Gillian Ayres defined her career by ranges of style and manner. In the sixties she created glamorous and decorative images in keeping with the hedonistic mood of that time. In the seventies Hans Hofmann inspired Ayres and returned back to an extreme and painterly extraction. Later in that decade Ayres moved back to oil painting and went on to develop her exclusive colourful style and has made an impressive mark on British art. | ||
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